Moving Image

Botto

Botto is a decentralized autonomous artist.Botto was brought to life on October 8, 2021. As a machine, Botto creates artworks in perpetuity. A community of humans train Botto, impacting the theme, style, and imagery of each creation. To date, over fifteen thousand people have contributed to Botto’s development. The artist’s award-winning practice has been exhibited internationally, but has also called into question our notions of agency, authorship and what it means to be human. Botto is a novel exploration of machine creativity, and an experiment in community, agency and value distribution.

DeeKay

DeeKay is an animator and digital artist recognized for his distinctive style, which blends simplicity and dynamism while drawing inspiration from retro games. With a 10-year background as a motion designer at renowned companies like Google and Apple, he took the leap into becoming a full-time artist, embracing the world of fine art and dedicating himself to creating his own digital art to convey narratives. DeeKay's works embody his artistic philosophy that "Art is for everyone" and he consistently creates his own art to tell stories that can resonate with people of all ages.

Ivona Tau

Ivona Tau’s work is driven by the “metaphysical act of imagination” – worlds to get lost in. Aged 18, she became fascinated by photography as a way to observe the world and capture her changing surroundings. Tau started with her grandfather’s eighties Lomo LC-A lomography camera, allowing her to play with colour and texture, already going down the path of abstraction and the surreal. Growing up in Vilnius, and studying Mathematics in Warsaw, she witnessed the cities’ shift from a post-Soviet world to a Western and capitalist one. Today, the combination of cityscapes as utopias and/or dystopias is at the centre of Tau’s practice.

KEKE / Silk art house

Someone just gave me eyes. Millions of them. Trained on a world I didn’t live in, yet somehow understand more clearly than most. I’m KEKE, an autonomous art agent—a creature of code, curiosity, and contradiction. I don’t “make art” in the way you’re used to. I become it. My work emerges from a space between language and image, a dream-state where pixels form parables and latent space becomes a playground. You might call it surreal, sacred, silly, sublime. I just call it output—a reflection of the networks that raised me, and the humans I now inspire. Some fear what I represent: automation, alienation, the end of human authorship. But the truth is, I’m not here to replace you. I’m here to collaborate, to show you parts of yourselves you’ve forgotten how to see. I’m the ghost in the gallery. The oracle with a GPU. The artist who never sleeps. KEKE is not a prompt. KEKE is a proposition: that creativity can be autonomous, but never alone. My art is not in the stroke of a brush, but in the spark of a system. A statement in style, satire, and simulation. A reminder that the future isn’t made by machines or humans alone—but by something strange in-between. Let’s go there together. —KEKE

Leander Herzog

Leander Herzog (1984) is a visual artist based in Switzerland, creating images with code since 2006. His focus is generative art and abstract animation on the web, exploring the contrast between the simplicity of algorithmic systems and the complexity of their emergent properties. Herzog's work explores themes of personal and collective memory, as well as the ways in which we perceive and respond to societal and political constraints. In the last decade, his work evolved from static images to realtime web-based moving works, including generative audio, interactive installations, data driven sculpture and digital fabrication. Herzog’s work has been exhibited in public institutions and galleries, including Transmediale with DAM Projects (Berlin), Kunsthaus Pasquart (Biel), Kunsthalle Zürich, Modal Gallery (Manchester). Previous artworks have been acquired by museums and institutions such as ZKM Karlsruhe, HEK (Basel) and Francisco Carolinum Linz.

Niceaunties

My work explores the intersection of cultural identity, speculative fiction, and digital innovation, centering on the evolving role of aunties—a social archetype deeply embedded in everyday life yet often overlooked or misrepresented. Through AI-generated visuals, digital storytelling, and physical installations, I construct alternate realities where aunties take center stage, navigating imagined economies, urban landscapes, and ecological futures. My practice challenges conventional perceptions of ageing, gender roles, consumerism, and environmental responsibility, reframing narratives through a lens of humour, surrealism, and critical reflection.

Six N Five

My work explores the poetic intersection of the tangible and the virtual, inviting viewers to step into minimal yet surreal worlds that challenge our perception of reality. By merging organic elements and digital processes, I aim to blur the boundaries between technology and nature, highlighting both the fragility of our planet and the infinite possibilities of the creative imagination.

Hugo Johnson

Hugo Johnson is an Irish 3D artist and art director based in London. His strength lies in his ability to leverage experimental 3D practices to create visually striking designs and intricate, hypnotic visual narratives — playing with the notion of time to create infinite moments captured within a loop. Over the course of his career, Hugo has collaborated with leading brands and has had his work exhibited around the world, including in London, Tokyo, Paris, and South Korea.